3 blocks from PS1, M,7,E,G to Court Square
Going a little epic here. In the tradition of Lunatarium's Airport, SoundLab, Baltick & Zemi17's Auditorium, Unity Gain and Amoeba Technology, Cadence 23 weaves a tapestry of synesthesia experiences worthy of dream science.
10 PM Saturday night we crescendo into a deep minimal techno groove we will stay in till morning when our other experiments resume.
Featuring:
Dok Gregory of Plan 23, Zero Gravity Thinkers & Amoeba Tech
SEEJ & collaborators, Kinetic Light Sculpture & Projection alchemy
Zemi17 (Bunker, the Danger, co-founder of Auditorium)
David Linton (founder Unity Gain & mission for temporal art)
Leisure Muffin, (The Bunker NY, Monophonic Antelope)
Sean Clute (founder, Double Vision)
Leif Hunneman (The Simulcrum Project, }hex dump{)
Socks & Sandals (Microcosm Music, Love and Cush Records(
exileFaker (8bitpeoples)
and many more....
with live performances by
3 blocks from PS1, M,7,E,G to Court Square
Going a little epic here. In the tradition of Lunatarium's Airport, SoundLab, Baltick & Zemi17's Auditorium, Unity Gain and Amoeba Technology, Cadence 23 weaves a tapestry of synesthesia experiences worthy of dream science.
10 PM Saturday night we crescendo into a deep minimal techno groove we will stay in till morning when our other experiments resume.
Featuring:
Dok Gregory of Plan 23, Zero Gravity Thinkers & Amoeba Tech
SEEJ & collaborators, Kinetic Light Sculpture & Projection alchemy
Zemi17 (Bunker, the Danger, co-founder of Auditorium)
David Linton (founder Unity Gain & mission for temporal art)
Leisure Muffin, (The Bunker NY, Monophonic Antelope)
Sean Clute (founder, Double Vision)
Leif Hunneman (The Simulcrum Project, }hex dump{)
Socks & Sandals (Microcosm Music, Love and Cush Records(
exileFaker (8bitpeoples)
and many more....
with live performances by
Mind Travel is a collective journey. In his live performances and video art installations, Murray draws upon both his music and creative tech background to transport the audience on a journey that is at once expansive and transformative. His improvisational piano meditations, inspired by mystical traditions and theoretical physics, combined with his visual art installations driven by the music will leave you in a state of harmony and clarity, with the rhythm to carry it forward into your life.
Four speakers with a lot to say about technology, physical spaces and humans, come together to deconstruct the value of immersive experience design. From the artistic to the commercial, how do we place a value - an ROI - on human engagement in physical space? How will the concept of value evolve as immersive experiences and technology collide?
If you work in any aspect of events from creative, production to management and hail from the corporate world to brand to the agency-side, this panel event and cocktail experience - held in New York’s LED Lab - is not to be missed.
Come enjoy the open bar. Space is limited so please secure your ticket soon.
Speakers include:
Float4, Alexandre Simionescu, Co-founder
SID LEE, Kwame Taylor-Hayford, Head of Integrated Production
PixMob, Shawn Kent, Senior Director
Daily tous les jours, Melissa Mongiat, Co-founder
We have the grandest night of Mind Travel music yet on May 5th with the Mind Travel String Orchestra, including world class musicians Ashley Bathgate, Ralph Farris, Katie Hyun, Dorothy Lawson, Cory Lee, Jessica Meyer & Pat Swoboda, We will premiere new work alongside a reflective solo piano and video art projection. Spoken word poet Max Stossel will also join the stage. This will be a night of musical exploration, a night of possibility in the 800 seat NYU Skirball Center for the Performing Arts in New York City. All proceeds go to benefit cancer research and tickets are tax deductible.
WHEN: Thursday May 5th, 8:00 pm Performance / 7:00 pm Reception
Jane Rigler and Elizabeth Hoffman with video by Anna Weisling
All the more my thoughts multiply
All the more my thoughts multiply is a work for flute, electroacoustic sound, and interactive video that explores the psychology and transformation of a lone character from the Noh play “Aoi-no-ue”, taken from the massive and influential 11th c. Japanese epic “Tale of Genji.” Possessiveness marks the greatest challenge to overcome. In this mono-drama the gestural significance of both the spatialized sound and the movements of the flutist weave together textures of light and music through an ancient Japanese folk story that asks: how do we navigate through our possessions?
This work is a commentary on the concept of “possession” as seen through an ancient Noh tale “Aoi-no-ue” (Lady Aoi), thought to be written by Zeami, sometime between 1363-1443. This story is based on an episode from theTales of Genji where Prince Genji’s mistress Lady Rokujo becomes furiously jealous of his wife Lady Aoi. Her jealous rage transforms into a “possession” such that Lady Rokujo’s living phantom spirit makes Lady Aoi mortally ill. The action in the Noh play focuses on the fight between the Shaman/Priest and the phantom spirit who is eventually exorcised and transforms Lady Rokujo.
diNMachine (Michael Schumacher and Nisi Jacobs)
The Audio Visual Matrix
An Interdisciplinary performance system commissioned by the Harvestworks Artist-in-Residence TEAM (Technology, Engineering, Art and Music) Lab
diNMachine will perform in eight-channel sound. It will be the first performance with the Audio Visual Matrix software diNMachine developed with Tommy Martinez in residency at Harvestworks. A short Q&A will follow.
The Audio Visual Matrix (AVM) is an interdisciplinary performance system that enables fast and flexible interconnections of audio and video data streams to modulate content. The inspiration comes from the “pin” type matrices found on synthesizers like the EMS Synthi, where players patch any modulation source to any destination. The AVM uses a similar grid system to create paths between elements (instruments, computers, cameras, etc.) and allows for feedback loops as well as typical modulation. See: http://avm-dinmachine.tumblr.com/
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Please join us for
Creative Technologies Symposium 2016
Friday, May 6, 2016 1:00 - 6:00 PM
Art & Art Education @Teachers College, Columbia University
Emerging technologies continue to change the making, teaching, and learning of art. The creative technologies symposium addresses these changes and engages artists, educators, and technologists in an ongoing conversation. While the previous symposia worked to define creative technologies as a means for artistic expression, the upcoming symposium considers the successes and barriers of implementation within various learning environments. What are some of the new pedagogies that help bring technology-infused art to students and teachers alike? If there is a lot of excitement about technology in art making, where does the resistance come from?
The Creative Technologies Symposium is part of the Creative Tech Week in New York City from April 28 -May 6.
Free to register: creativetechnologies.eventbrite.com
Program Schedule
12:30 pm: Registration, Zankel Hall 408 (4th floor), Teachers College, Columbia University, 525 West 120th Street, New York, NY 10027
1:00 pm: Opening Remarks by Judith M. Burton and Richard Jochum. Keynote by Bruce Wands: "Perspectives on the Digital Revolution in Contemporary Art and Education"
1:45 pm - 2:45 pm: Short Presentations
Erin E. Riley: Making Art in the FabLab: New Tools for Self-expression
Josh Burker: Making Meaning of Angles and Degrees: Art and Programming the LogoTurtle
Stephanie Dinkins: Friends Forever: Social Robots as Friends and Teachers
William K. Moulton: New Media and the Oral Tradiation: Building a Dance and New Media Program
Caleb Clark: From "Yes-itis" to "Yes"
Merete Sanderhoff & Neal Stimler: Wanna play? Open Museum Content for Education
2:45 pm - 3:15 pm: Break-out Session
Erin Riley & Nathan Holbert
Josh Burker & Deren Guler and Jessica Jagtiani
Stephanie Dinkins & Steven Goss
William K. Moulton & Carianna Arredondo and Brian Bulfer
Merete Sanderhoff & Neal Stimler
3:15 pm - 3:30 pm: Coffee Break
3:30 pm - 4:30 pm: Interactive Pecha Kucha (Moderated by Laura Scherling)
Jaymes Dec: Triumphs and Tribulations of Creative Technologies in a Traditional School
Andrew Corpuz & Sohee Koo: Thingspace: Technology and Three-Dimensional Studio Thinking
Alfredo Salazar-Caro: DiMoDa: Digital Museum of Digital Art & Beyond
Stefania Druga: Designing with and for kids at HacKIDemia
Grace Jun: Clothing & Technology: Placing Social Practice at the Center of Learning
Anna Nazo: Posthumanism: The Human Body Transition. Contemporary Art Practice: Performance
Luke Murphy: The Unhappy User
Rory Solomon: Programmer as User: Critical Reflections on Computer Programming Education
Nobhuho Nagasawa: Interactive Art of Light and Sound
Lilia Ziamou: Bodies Unbound: Reimagining the Boundaries of the Body/Technology Interplay
4:30 pm - 5:00 pm: Wrap-up
5:00 pm - 6:00 pm: Reception & Performance Eli Keszler
Proceedings/Papers
The Symposium organizers plan to publish papers provided by the presenters as part of a Special Issue of the Springer Open Access Journal
Technology, Innovation, and Education.
Deadline for Papers: July 30, 2015 (2,000-8,000 words)
The Creative Technologies Symposium is part of the Creative Tech Week in New York City from April 28 - May 6.
More information about the Creative Technologies Certificate program can be found at ctc.tc.columbia.edu
Submit Papers to: ctc@tc.columbia.edu
FACETS started out of Facebook conversation between Jane, Phoenix, Mohini and Caroline on Jane's wall about a desire for a more laid back interdisciplinary art, technology, and video games "un-conference" that was just...diverse. We wanted to attend a conference with more women and more minority speakers. We wanted to attend a conference that had video games AND art AND technology but not on separate panels. We wanted all of these things in one space...so we decided to make one. And that's how FACETS was born.
Organized by Caroline Sinders and created by Jane Friedhoff, Phoenix Perry, Mohini Dutta and Caroline Sinders, FACETS is a new type of conference hosted and sponsored by Integrated Digital Media (IDM) at NYU Tandon School of Engineering with support from NYU MAGNET.
Follow FACETS @FacetsConFREE EVENT, BUT SPACE IS LIMITED! GRAB A TICKET NOW!
Come celebrate the official launch of U-GRUVE: Interactive Soundtracks for Public Spaces. U-GRUVE is an Audio Augmented Reality app for the iPhone that lets listeners interactively experience music that has been custom-composed for popular New York City locations.
While these free audio installations have been running throughout Creative Tech Week, this event, as part of the HARMAN Store's Soundcheck Series, includes a live performance by U-GRUVE composer Michael Durek, featuring music from the app, on one of the best sound systems in the city. A brief demo will be given by U-GRUVE's creator, Richard Rodkin, prior to the performance.
After the performance, all are welcome to download the free app and head over to Central Park for a stroll around the Hallett Nature Sanctuary and The Pond to experience U-GRUVE first-hand.
Coordinates: